Community Responses
Part of our community response series includes responses to the exhibition from dance artist Isaac Gasangwa, spoken word artist Teeanna Munro, and Spotlight Presentations by dance artists and scholars, Miss Coco Murray and Emilie Jabouin.
Teeana Munro’s Harlem Nocturne, Family Archives, and Having Fun
Teeana Munro’s spoken word video The Harlem Nocturne (2011) has been a part of It’s About Time from the beginning (2018) through a video montage on view as part of the gallery experience. My first interest in the work was that it focused on the famous Vancouver nightclub, Harlem Nocturne. What I learned over time is that Teeanna is related to celebrated artists Leonard and Thelma Gibson, among others. With the exhibition in Vancouver, it felt like the right time to connect with Teeanna about her family history, the making of The Harlem Nocturne, and what she has been up to since we first connected nearly five years ago. As part of IAT Online Community Responses, I interviewed Teeanna, and was lucky enough to hear from her first-hand about her family experiences of dancing, performing and having fun, her family archives, and the film footage she took many years ago that now contributes to the archive she is working to protect. Enjoy the interview and the surprises that Teeanna brought along!
— Seika Boye, 2022
I first wrote “The Harlem Nocturne” over 11 years ago to connect and embody a part of my family’s history that served as a place of community, creative independence, and great joy, or as my family would say “fun”, for Black performers. But, before I learned about The Harlem Nocturne or Bamboula or Sepia Players and the larger social context of Canadian history in which those existed within: Thelma and Lenoard Gibson, Ernie and Marcella King were simply my aunts and uncles, and a part of our larger family. Aunty Thelma aka “Tudda” was whose home I grew up going to for dance practice with my mom on the weekends, and whose basement was filled with beautiful things to look at and touch—colourful skirts and big straw hats that I would hide within during my brother and cousins' games of hide and seek while our parents drummed and danced. He was my Uncle Len who told me stories about meeting famous people on set and always did his show-stopping splits late into his 70s during our annual family Thanksgiving performance. Whenever we all got together you knew that you had to come prepared with something to perform—a poem, song, dance, speech, something! Performing was tradition in our family, and I grew up seeing it as very ordinary, communal, and so much “fun”. Now, with great pleasure I get to spend time within my family’s archive, preserving these memories—this culture—that in so many ways have impacted my sense of identity and belonging to not only this family, but also this place, Vancouver.
— Teeanna Munro-Whitelock
Teeanna Munro-Whitelock (Maiden names Phillips, King, Taylor) is a Vancouver born performer, artist and archivist whose work focuses on her family archival practices of storytelling, photography, and scrapbooking. Her work has been published in The Great Black North: Contemporary African Canadian Poetry, and Geist Magazine and her performances include The Congress of Black Writers and Artists, National Youth Arts Week, Hogan Alley’s Memorial Poetry Festival, and the Canadian Spoken Word Festival.